DVD Review: Dollhouse: Season One: Eliza Dushku, Harry J. Lennix, Tahmoh Penikett, Fran Kranz, Enver Gjokaj, Dichen Lachman, Olivia Williams, Amy Acker, Alan Tudyk: Movies & TV

Jul29

DVD Review: Dollhouse: Season One: Eliza Dushku, Harry J. Lennix, Tahmoh Penikett, Fran Kranz, Enver Gjokaj, Dichen Lachman, Olivia Williams, Amy Acker, Alan Tudyk: Movies & TV

Posted by admin | on 29 July, 08:31 AM

Product Description
From Joss Whedon comes a new groundbreaking show starring Eliza Dushku as Echo, an operative in an underground organization that provides hired personas for various missions.

Disc 1: 185 Minutes

**Forced Trailers: Wolverine, Joss Whedon Properties Trailer, I Love You Beth Cooper, Nobel Son, Wrong Turn 3, The Keeper

**Ghost
*Episode Commentary with Joss Whedon and Eliza Dushku
**The Target
**Stage Fright
**Gray Hour

Disc 2: 185 Minutes

**Forced Trailers

**True Believer
**Man on the Street
**Echoes
**Needs

Disc 3: 185 Minutes

**Forced Trailers

**A Spy in the House
**Haunted
**Briar Rose
**Omega

Disc 4: 139 Minutes

**Forced Trailers

**Epitaph One
*Episode Commentary by Jed Whedon and Maurissa Tancharoen
**Original Unaired Pilot - “Echo”
**Deleted Scenes
**Making Dollhouse
**Coming Back Home
**Finding Echo
**Designing the Perfect Dollhouse
**A Private Engagement

Don’t believe the hype…,

By Lola (Berkeley, CA) -

…this show is *actually* GOOD. What I mean is that Dollhouse is not good simply because Whedon fans worship at the shrine of Whedon and therefore cannot be trusted to tell you the real deal. In a lot of ways, it’s a shame that this show was so hyped from the beginning, because it didn’t get a chance to gradually develop a fanbase in its own right, but was instead touted as a show sustained merely by Whedon fans. While I admit to being a Whedon fan, which compelled me to watch it even through some shaky episodes, here’s the scoop:

In the beginning of the show, what we learn is that a woman named Caroline (Eliza Dushku) has agreed (or was coerced) to download her personality into cyber storage, and some shady organization rents her body out to the highest bidder for various “engagements.” We see that these engagements can involve sexual fantasy (hence the dubbing “cathouse” by the critics!), or perhaps something that requires personality-combo platters in order to complete some sort of high risk, spy-type mission. A lot of negative reviews here refer to these first five episodes. And, yes, the first five establishing “mission of the week” episodes are surfacy and disconnected, but it’s really the journey of the series arc (and character growth) that will ultimately make for some passionate tv. (And though these first five episodes were not the highlight of the season, there are some gems of ideas in there. For instance, one episode pays homage to Cornell’s short story “The Most Dangerous Game”, which is based on quite a chilling concept!)

Now that we’ve got the darned hype out of the way, let’s talk about the show, as it evolves in Episode 6. Now instead of just seeing the sexual fantasy episodes in terms of some hokey emporer’s club cathouse (which, let’s face it, is something that already exists out there for the kind of money these clients are paying), we start to see the NEEDS that these fantasies fulfill in the clients. And here’s the thing: even though we the audience do not approve of what they’re doing, we start to sympathize, and in some cases even begin to care about, these clients. And here is one place where we begin to see the brilliance and fascinating challenge that this show presents, and will continue to present, to its viewers (bring on Neuromancer!).

This is a show that lives and thrives in a very gray area - it’s unclear who the heroes might or might not be, and this is shaping up to be a nuanced, character-driven ensemble show. At its heart, this is a show about the identity of “self” without memory. About science and ethics. About exposing our darkest human fantasies, and exploring the root of the needs that create them. The show is not just about the “dolls,” but is also about the clients - WHY do they need a fake person to save them? And what could have possibly compelled these “dolls” to have given away their memories in the first place? And then there’s the dollhouse itself…why does it exist? Who are these people that babysit and program the dolls - what’s their story?

All in all, this show is a little bit ALIAS (except replace awesome disguises and patriotism with personalities and motivations a lot more vagued up), a little bit BATTLESTAR GALACTICA (except replace “Cylon” with “doll”), a little bit LOST (except replace “island” with “dollhouse”), and a lot Whedon (exploring the essence of humanity and individual identity through grandiose metaphor). Assuming that the show is allowed to breathe and grow into its full potential, we’re in for even more thought-provoking, heart-breaking, butt-kicking entertainment! Trust me, you don’t want to miss out on the ride!

Brilliant Show In Every Sense Of The Word!,

By Kenny_Chisholm (Singapore) -

I am writing this review one week away from the finale and I have to say this show is easily the best new show of this season.

Yes, true that the first half of the season is much slower in terms of action and suspense than the latter half but do we really expect to go into a brand new show with mysteries and action coming at you from all directions? It would have proved to be a little overwhelming.

With that said, I’m one of the rare few that appreciated the time given to adjust to the concept of the show and to understand and develop a care for the characters. Many viewers went into the show with this expectation of what the show should be simply because it is a Joss Whedon creation.

With that level of expectation, it of course resulted in major disappointment and in turn created this whole frenzy about the show’s survival which ultimately hurt the enjoyment of the show.

Refused to stress over the fate of the show, I decided to watch the show for what it is and am truly satisfied with it. Both the writing and acting has been nothing short of being superb and like any Joss Whedon show, it is inevitable for you to fall in love with the characters.

Not only do you find yourself falling in love with the lead character - Echo, you soon find that you can’t help but care for those around her as well. Like her fellow doll, Sierra played by the incredible Dichen Lachman who has this coolness about her that makes it really enjoyable to watch every time she takes on the character of a under cover agent as well as the “cold hearted boss woman” Adelle played by Olivia Williams. Adelle is easily the most complex character on the show. There are just so many layers to that character and you feel her pain and her loneliness and you care despite of that tough exterior and that is something you look for in a character. Props to Joss Whendon on this one!

Buffy fans like myself would be pleased to know that Eliza Dushku is back kicking butt in this show. In fact there are many moments in which Echo reminded me of Faith.

Yes, it is still uncertain if the show would be back for another season but there’s absolutely no doubt as to if you should get this DVD. Go into the show with a open mind that’s all the advice I have to give.

I already pre-ordered my copy so get yours today! and let’s hope FOX have enough sense to renew them for a 2nd season.

A flawed diamond,

By the antiquary -

Ok, so the series starts off with Joss Whedon, celebrated writer-director-composer, except no-one wants to work with him, then he has a hit web show, Dr. Horrible’s Sing-Along Blog, and he catches the attention of the dark and shadowy Fox Corporation. Fox wipe Joss’s brain to make him forget that he worked for them before and they became mortal enemies.

So now Fox can make Joss do whatever they want, everyday they activate Joss and set him to work making a television series for them called Dollhouse. Everything works out fine for them. The show is flashy, cool, sexy, confusing, humourless, disconnected and unengaging. Without the real Joss to complain Fox don’t even have to spend much cash on it. But can the technology Fox has used really remove all of a person’s memories, their sense of self, their soul?

As he works from episode to episode it becomes apparent that Joss starts to remember who he is, but knowing he shouldn’t draw attention to this fact he keeps it to himself and works slowly to improve Dollhouse from within. From episode 6 `Man on the Street’ flashes of brilliance begin to save the show, culminating in the superb episode 9 `A Spy in the House of Love’, by now Dollhouse has become gripping, funny, dark and touching with an intelligent and complex storyline that has people thinking. Joss is even able to help other people taken over by Fox and makes Eliza Dushku realise that she is an actress.

By the end of the series we have been taken to a place we little imagined in the beginning. I won’t give any spoilers but Dollhouse does end with Joss improbably winning renewal for a second series, this time will he be out to revenge himself on the people who did this to him and turn out a flawless piece of work from the start?
Search Dollhouse: Season One: Eliza Dushku, Harry J. Lennix, Tahmoh Penikett, Fran Kranz, Enver Gjokaj, Dichen Lachman, Olivia Williams, Amy Acker, Alan Tudyk: Movies & TV from AmAzon

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